A few words on my process and lead times
Clay is my chosen medium, and each piece is hand-built slowly in my Paris studio using traditional techniques of coiling, pinching and carving. The process involves a series of precise and gestural movements, allowing each form to develop gradually while ensuring that it is both sculptural and functional, structurally sound and carefully finished.
Each work is produced as a limited edition of six. As there are no moulds or industrial processes involved, every piece is individually made and will have its own subtle variations. Dimensions, colour, texture and glaze may differ slightly from one piece to another. These variations are not imperfections, but part of what makes each work unique and reflects the nature of a truly handmade object.
When a piece is recreated for a new order, it remains faithful to the original form while becoming part of an ongoing series. Each new iteration reflects the same meticulous process, with small differences that naturally emerge through the hand-building and firing process.
Working this way is necessarily slower than industrial production, but it is central to how I make. I am interested in creating objects that sit between design, art and craft, and that carry a sense of the time and attention invested in their making. I hope that this connection to the process becomes part of the experience of living with the work.
I currently work independently from my Paris studio, which means that some pieces require a little patience. I am continually working towards making more pieces available for immediate purchase, while maintaining the same level of care and craftsmanship.
If you would like to place an order or commission a piece, please get in touch. I will let you know if the work is currently available. For pieces made to order, the usual lead time is 4–6 weeks. I am always happy to answer any questions about the process, editions or availability.